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Dust Cycles at Nuit Blanche 2018

Dust Cycles at Nuit Blanche 2018! 
Screening at Artscape Youngplace in Studio 109
*this is an indoor event*

13 min loop, 16mm to 2K, 2017

Dust Cycles uses 16mm film and aerial video to explore the Scarborough Bluffs, a string of cliffs located at the eastern edge of Toronto’s waterfront where natural and human-made elements collide.

Dust Cycles investigates the past and present of the Bluffs, from the rock and clay strata that reveal the last Ice Age to the present day properties on the brink of destruction due to erosion.

Made possible through the generous support of The Toronto Arts Council, Ontario Arts Council and Liaison of Independent Filmmakers of Toronto.

Eva Kolcze is a Toronto-based artist who creates films and installations that investigate themes of landscape, architecture and the body. Her work has screened at venues and festivals including the National Gallery of Canada, Musée d’art contemporain de Montréal (MAC), Anthology Film Archives, the Gardiner Museum, Cinémathèque québécoise, Birch Contemporary, Angell Gallery, International Rotterdam Film Festival and the Images Festival.
www.evakolcze.com

Casa-Pueblito – BAM: Brindis, Arte & Música

BAM: Brindis, Arte, Musica. Emerging Latin American Artists on Gender Freedom, Solidarity, and Roots Revival

Event Location: Artscape Youngplace Gallery, 2nd floor

Hallway Gallery Hours: Open every day from 9am to 9pm

From September 16th to the 22nd, join us for BAM 2018 and experience a remarkable and thought-provoking exhibition by nine young artists of Latin American heritage on three themes: Solidarity, Roots Revival and Gender Freedom.

Join us at #BAM2018 to connect with Toronto’s Latin American community through art, music and spoken word.  Everyone is welcome! The Exhibition is open to the public everyday from 9am to 9pm and is free. For more information, go to http://www.casapueblito.org/bam-2018/

BAM Activities: 

  • September 16th: 1:30pm-3:30pm: Workshop: Protection circle with textile artist denirée isabel mendoza. Click here for more info and to register
  • September 16h: 4:00pm-6:00pm: Opening Reception. Click here for more info.
  • September 20th: Performance Night. Updates coming soon!

Featured Artists (find out more here):

  • Andrea Bermúdez
  • Mariana Bolaños
  • Jasmine Cardenas
  • Vero Díaz
  • Andre López
  • denirée isabel mendoza
  • Camila Salcedo Guevara
  • Claudia Arana
  • Mao Correa
  • OLAS York Univeristy Art Installation
  • SickMuse Art Projects

BAM is a project of Casa-Pueblito, our vision is compassion and social justice accross borders. For more info go to http://www.casapueblito.org/

Many thanks to our founding BAM sponsor Meridian Credit Union.

Exhibition – EXPOSING LIMINALITIES

EXPOSING LIMINALITIES

On View August 11-26, 2018

Gallery hours
Thursday–Sunday from 12-5 pm through August 26th

Admission is always free; building and gallery are fully accessible.

Featuring Azaeb AdaneClayton BatsonEli CarmonaTahoy Jamesand Ebti Nabag
Curated by
 Emma German

Opening Reception Saturday, August 11th from 2–4 pm

In partnership with Gallery 44, EXPOSING LIMINALITIES brings together the work of five artists that expand, challenge, and question notions of the in-between. Employing elements of both analogue and digital photography practices, this exhibition considers the myriad intersections that can define oneself.

Liminality holds flexible meanings: it encompasses the transitional stage of a process, and the act of occupying a position at or on both sides of a boundary or threshold. Reflecting on liminality as a critical discourse, these artists probe places and contexts that are immediate yet deeply personal – embodying and responding to conditions that approximate liminal space through investigative means. Different states of being are examined through the eyes of these artists: between what was once home and what is now home; between disparate temporal and spatial coordinates; between boundaries, borders, or margins; between success and failure; between the visible and the unseen; and between liberation and restraint. By drawing on moments that are overlooked with deep criticality and inquisitive gaze, the artists featured in Exposing Liminalities aim to bridge the gaps between us. Together, the artists carve out a new space for inquiry, where the liminal becomes the limitless.

The artists featured in this exhibition are alumni from Gallery 44’s OUTREACH program, and winners and honourable mentions of the David Barker Maltby Award. All of the work was shot on 35 mm film and developed in Gallery 44’s darkroom and digital printing facilities.

About the Artists

Azaeb Adane is an emerging artist specializing in film photography. A 2017 recipient of the David Barker Maltby Award, Adane has had no other formal training in the arts previous to her enrolment in the OUTREACH program. Now with this achievement under her belt, Adane is focused on honing her voice as a first generation Canadian-Ethiopian. Raised in Toronto, her work documents others hailing from the diaspora, and examines juxtapositions around finding a balance between modernity and traditional living, which both have their consequences to the modern native.

Clayton Batson is a Toronto-based interdisciplinary artist of West Indian descent. He is a recent Graduate of Humber College’s Theatre Performance program (2018). Migrating between performance, photography, and poetry, Clayton’s practice is centered on intimacy and truth. His work seeks to challenge perspective, explore aspects of the self, mental health, sexuality, spirituality and inspire change and acceptance, which he examines with an outside eye looking from within.

Eli Carmona is a Salvadorean-born artist based in Toronto. Their work includes casual/street photography, motion graphics, and graphic design. Their work means to create a relationship between identity and the spaces they navigate as a queer-latine-nonbinary person. They are currently working at The 519 as a Communications Specialist.

Tahoy James is an emerging artist who works with photography, video, and installation. She is motivated by the day to day emotions and moments humans tend to ignore or overlook. Her hope is that her work will cause the viewer to feel happy, emotional and/or slightly uncomfortable.

Ebti Nabag is a visual artist who works with photography, video, and installation. A graduate of the Documentary Media MFA program at Ryerson University, her work is motivated by stories from the average human. Recent exhibitions include Movement in Tradition: Tobe (2016), Vitiligo at the AGO (2015), Intersections (2014) featured at the CONTACT Photography Festival, and I AmNot My Hair (2012). She hopes her documentations serve as bridges between people and communities. A digital and analogue photography instructor, Nabag teams up with galleries and community centers to develop art programs that provide opportunities for creative self-expression and aid in the development of identity. Nabag has served as both a facilitator and instructor for the OUTREACH program in recent years.

About the Curator

Emma German is an emerging curator and writer working between St. Catharines and Toronto. She holds an M.A. in Art History and a Graduate Diploma in Curatorial Studies from York University (2017). Her research explores exhibition spaces as sites of embodied experimentation. Engaging a wide scope of subjects, contexts, and temporalities, she is interested in promoting decelerated modes of perception to stimulate close looking and speculative inquiry around contemporary art. She has held curatorial and administrative positions at Rodman Hall Art Centre, Gallery 44 Centre for Contemporary Photography, and the Art Gallery of Ontario. Her research was recently published in the Journal of Curatorial Studies.

About Gallery 44

Gallery 44 Centre for Contemporary Photography is a charitable, non-profit, artist-run centre committed to supporting multi-faceted approaches to photography and lens-based media. Founded in 1979 to establish a supportive environment for the development of artistic practice, Gallery 44’s mandate is to provide a context for meaningful reflection and dialogue on contemporary photography.

Image: Eli Carmona, I can see the light, from the series “.~This is home now” (2018). Image courtesy of the artist

Reception – Lost and Found, Paperhouse Studio Members Show

Paperhouse Studio: Lost and Found, Members Show (August 2018)

Hallway Gallery 1st Floor

Exhibition dates: August 5th –September 1st 2018

Hallway Gallery hours: 8am-9pm Monday-Sunday

Reception: August 16th 6pm-9pm

What is the significance of the material things we keep? What do objects mean to us? Objects can simultaneously represent a presence and an absence, hold memories, and sentimental value to people and times which have passed. Using the medium of the paper arts, Lost and Found touches on the body and memory, and calls attention to the emotional value and impact of found objects. Through the acts of making and re-contextualization, the significance and value of these found objects shifts. Hosted in Artscape Youngplace’s first floor Hallway Gallery, Lost and Found features the work of three artists who are a part of Paperhouse Studio’s  Membership Program. The artists have incorporated found footage, experimental photography processes, metal and wire, handmade papers, and more.

Lost and Found is Paperhouse Studio’s first Members show. Paperhouse Studio’s Membership Program aims to encourage diversity, inclusivity, and accessibility, following a pay-what-you-can model. Members have access to studio facilities, discounts on supplies and classes, access to Canadian Bookbinders and Book Artists’ Guild’s Open Studio workshops, and more.

Paperhouse Studio offers a Work Exchange Membership, a volunteer-for-rent program. The goal is for volunteers to develop arts based work experience and have access to studio space. For every 2 hours of volunteer time, members get 1 hour of personal studio time.

Image: Elspeth Wood “Facts and Fiction” Van Dyke photo prints, 2016 

 

Featured Artists:

Elspeth Wood

Jill Smith

James Spyker

About Paperhouse Studio

Paperhouse Studio is an experimental arts studio rooted in paper as the medium. We strive to create an approachable, educational, and playful environment for artists, to encourage accessibility and inclusiveness, and to share our space and expertise in order for artists to experiment and explore new ideas in their work.

For more information visit: https://paperhousestudio.com

Paperhouse Studio Membership Program: https://paperhousestudio.com/membership/become-a-member/

Artscape Youngplace: http://artscapeyoungplace.ca

 

Artist Biographies

Elspeth Wood –

I am a part time student at OCADU and at the Toronto School of Art. I have a small darkroom in my basement in Muskoka. When I first moved out of the city, I took many shots of old farm buildings in various states of decrepitude. I thought about the narrative of the families that had lived there.

More recently I am interested in making photos in the sunlight or in the full moonlight.

Jill Smith –

Jill Smith is an interdisciplinary artist based in Toronto, Ontario (b. 1995). Her most recent work explores everyday absurdity, as well as the connective possibilities of materiality. By re-contextualizing familiar motifs with organic, bodily forms, her work calls into question how one both exists and performs as a social body. While Smith’s work stimulates the imagination through whimsical and nonsensical colour and form, it is the relatable, yet ambiguous materiality that offers a platform to question the familiar, and escape to the alien and the uncanny.

Smith holds a Bachelor of Fine Arts (Honors Specialization in Studio Art) at Western University in London, Ontario. Her work includes printmaking, ceramics, photography, and painting, relying heavily on experimentation and process. Smith has exhibited her work in galleries across Ontario, such as the Artlab Gallery, Forest City Gallery, The Arts Project, Open Studio, Earl Selkirk Gallery at ARTiculations, and Daniels Spectrum, as well as Friends and Neighbours Gallery in Montreal, Quebec. She has participated in artist residency programs including Sparkbox Studio (Picton, ON), AGA Lab (Amsterdam, NL), and Luminous Bodies (Toronto, ON).

James Spyker –

James Spyker is a book binder and box maker.

Opening Reception – EXPOSING LIMINALITIES

EXPOSING LIMINALITIES

Opening Reception Saturday, August 11th from 2–4 pm

On View August 11-26, 2018

Gallery HoursThursday–Sunday from 12-5 pm through August 26th

Featuring Azaeb AdaneClayton BatsonEli CarmonaTahoy Jamesand Ebti Nabag
Curated by
 Emma German

 

In partnership with Gallery 44, EXPOSING LIMINALITIES brings together the work of five artists that expand, challenge, and question notions of the in-between. Employing elements of both analogue and digital photography practices, this exhibition considers the myriad intersections that can define oneself.

Liminality holds flexible meanings: it encompasses the transitional stage of a process, and the act of occupying a position at or on both sides of a boundary or threshold. Reflecting on liminality as a critical discourse, these artists probe places and contexts that are immediate yet deeply personal – embodying and responding to conditions that approximate liminal space through investigative means. Different states of being are examined through the eyes of these artists: between what was once home and what is now home; between disparate temporal and spatial coordinates; between boundaries, borders, or margins; between success and failure; between the visible and the unseen; and between liberation and restraint. By drawing on moments that are overlooked with deep criticality and inquisitive gaze, the artists featured in Exposing Liminalities aim to bridge the gaps between us. Together, the artists carve out a new space for inquiry, where the liminal becomes the limitless.

The artists featured in this exhibition are alumni from Gallery 44’s OUTREACH program, and winners and honourable mentions of the David Barker Maltby Award. All of the work was shot on 35 mm film and developed in Gallery 44’s darkroom and digital printing facilities.

 

Image: Eli Carmona, I can see the light, from the series “.~This is home now” (2018). Image courtesy of the artist.

Exhibition – Lost and Found, Paperhouse Studio Members Show

Paperhouse Studio: Lost and Found, Members Show (August 2018)

Hallway Gallery 1st Floor

Exhibition dates: August 5th –September 8th 2018

Hallway Gallery hours: 8am-9pm Monday-Sunday

Reception: August 16th 6pm-9pm

What is the significance of the material things we keep? What do objects mean to us? Objects can simultaneously represent a presence and an absence, hold memories, and sentimental value to people and times which have passed. Using the medium of the paper arts, Lost and Found touches on the body and memory, and calls attention to the emotional value and impact of found objects. Through the acts of making and re-contextualization, the significance and value of these found objects shifts. Hosted in Artscape Youngplace’s first floor Hallway Gallery, Lost and Found features the work of three artists who are a part of Paperhouse Studio’s  Membership Program. The artists have incorporated found footage, experimental photography processes, metal and wire, handmade papers, and more.

Lost and Found is Paperhouse Studio’s first Members show. Paperhouse Studio’s Membership Program aims to encourage diversity, inclusivity, and accessibility, following a pay-what-you-can model. Members have access to studio facilities, discounts on supplies and classes, access to Canadian Bookbinders and Book Artists’ Guild’s Open Studio workshops, and more.

Paperhouse Studio offers a Work Exchange Membership, a volunteer-for-rent program. The goal is for volunteers to develop arts based work experience and have access to studio space. For every 2 hours of volunteer time, members get 1 hour of personal studio time.

Image: Elspeth Wood “Facts and Fiction” Van Dyke photo prints, 2016 

 

Featured Artists:

Elspeth Wood

Jill Smith

James Spyker

About Paperhouse Studio

Paperhouse Studio is an experimental arts studio rooted in paper as the medium. We strive to create an approachable, educational, and playful environment for artists, to encourage accessibility and inclusiveness, and to share our space and expertise in order for artists to experiment and explore new ideas in their work.

For more information visit: https://paperhousestudio.com

Paperhouse Studio Membership Program: https://paperhousestudio.com/membership/become-a-member/

Artscape Youngplace: http://artscapeyoungplace.ca

 

Artist Biographies

Elspeth Wood –

I am a part time student at OCADU and at the Toronto School of Art. I have a small darkroom in my basement in Muskoka. When I first moved out of the city, I took many shots of old farm buildings in various states of decrepitude. I thought about the narrative of the families that had lived there.

More recently I am interested in making photos in the sunlight or in the full moonlight.

Jill Smith –

Jill Smith is an interdisciplinary artist based in Toronto, Ontario (b. 1995). Her most recent work explores everyday absurdity, as well as the connective possibilities of materiality. By re-contextualizing familiar motifs with organic, bodily forms, her work calls into question how one both exists and performs as a social body. While Smith’s work stimulates the imagination through whimsical and nonsensical colour and form, it is the relatable, yet ambiguous materiality that offers a platform to question the familiar, and escape to the alien and the uncanny.

Smith holds a Bachelor of Fine Arts (Honors Specialization in Studio Art) at Western University in London, Ontario. Her work includes printmaking, ceramics, photography, and painting, relying heavily on experimentation and process. Smith has exhibited her work in galleries across Ontario, such as the Artlab Gallery, Forest City Gallery, The Arts Project, Open Studio, Earl Selkirk Gallery at ARTiculations, and Daniels Spectrum, as well as Friends and Neighbours Gallery in Montreal, Quebec. She has participated in artist residency programs including Sparkbox Studio (Picton, ON), AGA Lab (Amsterdam, NL), and Luminous Bodies (Toronto, ON).

James Spyker –

James Spyker is a book binder and box maker.

Exhibition – Dear Ayeeyo

Through portraiture, Yasin Osman shares scenes of everyday life within the villages of Somalia. This exhibition features large-scale photographs of Osman’s intimate portraits and snapshots that offer glimpses into the lives of the Somali people. The child of Somali parents, Osman returned to his ancestral lands in search for an emotional connection. This body of work, compiled together for the first time, showcases his journey home as an outsider, examining this foreign land.

Dear Ayeeyo is intended as a tribute to the photographer’s grandmother. Osman endeavours to draw the viewer into his personal experience of coming to this country—in the midst of a humanitarian crisis, a severe drought, and futile violence—and illuminates its resilient human spirit. His images contest the misconceptions of the media’s destructive images. Osman fosters trust and camaraderie with his subjects, actively engaging with them to create portraits that reflect their strength and perseverance.

 

Website: yescene.com

Instagram: instagram.com/yescene

Twitter: twitter.com/yescene

Exhibition: CAREER LAUNCHER 2018

CAREER LAUNCHER 2018

June 26th – July 26th, 2018 | Second Floor Hallway Gallery | Free

Opening Reception: Wednesday, June 27th, 2018 – 6:30pm – 9:00pm

The Centre for Emerging Artists & Designers at OCADU is pleased to present a Photography Exhibition of the recipients of the 2018 Artscape Youngplace Career Launcher. Congratulations to those who have been selected!

This exhibition will be held on the 2nd floor of Artscape Youngplace and presents recent work by the artists:

Patrick Corrigan: patrick-corrigan.format.com

Abigail Holt: abigail-holt.format.com

Michelle Homonylo: michellehomonylo.com

Qirou Yang: kiyoyang.ca

 

Centre For Emerging Artists and Designers

OCAD University

100 McCaul Street Toronto, ON M5T 1W1

careerdevelopment@ocadu.ca

Exhibition – Hillary Matt: Vitrine works 2016

Hillary Matt: Vitrine works 2016

January 17 – January 27, 2017 | Exhibition by Hillary Matt in the First Floor Vitrines

Hours: Building Hours are everyday 8am-9pm except Statutory Holidays

Hillary Matt (b. 1990, Peterborough, Canada) holds a BFA from the Ontario College of Art and Design University. Her process involves art-based research that follows phonetic, metaphoric, and poetic associations across pop culture. Visual content for often large-scale, flat work is generated from her findings. Matt recently had her first solo exhibition Chances and Dangers which featured a dozen new works that included painting, drawing, collage, plaster works, and found objects in Gallery A at The Robert McLaughlin Gallery (Oshawa, Canada). She has also shown her work with Carrier Arts Organization (Toronto, Canada). In the spring of 2017, Matt will begin a project surrounding a Hollywood film titled 3 Women, written and directed by Robert Altman in 1977. She will travel to the Palm Springs area of California, USA to search for and document two mural paintings created for the film.

The artist would like to thank and acknowledge Shannon Lea Doyle for organizing Vitrine works 2016.

Exhibition – Not Sad Cold And Dead (like you thought)

Not Sad Cold And Dead (like you thought) 

July 24 – September 2, 2017 | 2nd Floor Hallway Gallery

Hours: Open Daily 8 AM – 8 PM

Closing Reception: Thursday, August 24, 2017 | 6–9 PM | FREE

Organized by An Dy and Emma Steen

From an Art College consistently defined by phrases such as struggling, underfunded, rising tuitions, financial woes, mitigating the debt, and so on, we see people ask—here directly pulled from one 2012 Art Threat article —“what’s the value in art school?”

Nova Scotia College of Art and Design University, or NSCAD, an opportunity to showcase the work coming out of a school whose students continues to thrive under less than ideal circumstances.  A university the size of NSCAD can take a lot of hits as the public eats up the drama in the death of an institution. While the administration peters around doing what it can to stop money leaking out of every crack and crevasse, we continue to see NSCAD students reacting to this environmental pressure and pressing on, creating work that has a distinct air of enthusiasm under what is now the fleeting passé that there’s not much happening east of Montréal.