Artist & Curator Talk (Program in French)- José Luis Torres: Question d’adaptation

Artist & Curator Talk- José Luis Torres: Question d’adaptation (Program in French)

Sunday, June 24, 2018 | 2 PM | FREE
In conjunction with his solo exhibition at the Koffler Gallery, José Luis Torres will discuss his artistic practice and the ways in which his work engages notions of displacement, adaptation and identity construction, in a conversation with curator Mona Filip.

José Luis Torres was born in Argentina and has been living and working in Québec since 2003. He has a Bachelor’s Degree in Visual Arts, a Master’s Degree in Sculpture and a degree in Architecture. His work has been showcased in many solo and group exhibitions, as well as public interventions in both Canada and abroad, including Musée national des beaux-arts du Québec (Québec), Human Cities/Places to be (Brussels, Belgium), Museum London (London, ON), The Works Art & Design Festival (Edmonton – Alberta), Manif d’art the Québec City Biennial (Québec), UCCS Gallery of Contemporary Art, (Colorado Springs, USA), Latitude 53 Contemporary Visual Culture (Edmonton, Alberta), X-Border Art Biennial (Rovaniemi, Finland) and CAFKA – Contemporary Art Forum Kitchener and Area (Cambridge, ON), among many others. Torres has also participated in various artist residencies in Canada, Argentina, the United States, Mexico and Europe. More details.

Image: José Luis Torres, Mutations, 2015.

Opening Reception & Curator’s Talk: “…move or be moved by some ‘thing’ rather than oneself.”

Opening Reception & Curator’s Talk at Critical Distance Centre for Curators

… move or be moved by some ‘thing’ rather than oneself.

Guillaume Adjutor Provost, Adam Basanta, Adrienne Crossman, and Nadège Grebmeier Forget

Curated by Florence-Agathe Dubé-Moreau and Maude Johnson

June 23, 2018 2–4 pm | FREE

Critical Distance is pleased to present … move or be moved by some thing rather than oneself., an exhibition that considers curating and choreography as materials and subjects. Bringing together the work of Guillaume Adjutor Provost, Adam Basanta, Adrienne Crossman, and Nadège Grebmeier Forget, the exhibition is curated by Florence-Agathe Dubé-Moreau and Maude Johnson. The title, taken from a quote by choreographer Yvonne Rainer, echoes the curators’ desire to question the potentialities of artworks as well as presentation contexts from the position of transdisciplinary instability.

About the artists

Guillaume Adjutor Provost is a Montréal-based artist. His practice is situated at the borders of visual arts, curating, and literature through hybrid works. He holds a Ph.D. in Arts Studies and Practices from UQAM and is the 2016-18 recipient of the Claudine and Stephen Bronfman Fellowship in Contemporary Art. His solo exhibition have been presented in various venues, such as Centre CLARK (Montréal, 2016), Diagonale (Montréal, 2017), and Bikini (Lyon, 2018).

Adam Basanta is a Montréal-based artist, composer, and performer of experimental music. His sculptures and installations reveal the conceptual and sensory dimensions of sound in the exhibition space by modifying the usual relationship of the visitors to it. His recent projects have been presented in Europe, United States, and Canada. He is long-listed for the 2018 Sobey Art Award.

Adrienne Crossman is based in Windsor. Their approach as an artist and curator questions the normativity of representation and the boundaries of the physical or virtual exhibition environment. They examine the potentialities of a queer sensibility through digital media and popular culture. Their recent projects have been shown in Toronto, Windsor, Carlisle (UK), and Montréal, as well as in The Wrong New Digital Art Biennale.

Nadège Grebmeier Forget is a Montréal-based artist. She employs choreographic and curatorial strategies to complicate access to her performing body in live, video, or installation works. Recent exhibitions and performances have been presented in various venues, such as VU PHOTO (Québec, 2016), She Works Flexible—Flex Space (Houston, 2016), and OPTICA (Montréal, 2017).

About the curators

Florence-Agathe Dubé-Moreau is a Montréal-based writer and curator. MA candidate in Art History at UQAM, her research questions the effects of exhibition reenactment in contemporary art. She was the Assistant Curator for the Canadian Pavilion at the 56th Venice Biennale (2015), co-editor of the book Questionner l’avenir. Réflexions sur la réactualisation de la Biennale de Montréal (2015), and curator of the exhibition do it Montréal at Galerie de l’UQAM (2016).

Maude Johnson is a Montréal-based writer and curator. She holds a MA in Art History from Concordia University. She is interested in the relationship between bodies, times, and spaces. Her research explores performative and curatorial practices, while probing methodologies, mechanisms, and languages within interdisciplinary practices. Her recent projects have been presented in the SIGHTINGS space of the Leonard & Bina Ellen Art Gallery (Montréal, 2016) and at Artexte (Montréal, 2018).


image: Nadège Grebmeier Forget, Rendering on View (Betty Rowland meets Angela Aames)2017. Performed on May 27, 2017, as part of the installation Walls of Wind: The mirroring and rendering which was created in the context of the group exhibition I’ve Only Known My Own curated by Nicole Burisch and presented from April 21 to June 10, 2017, at OPTICA, Montréal. Photo by Paul Litherland.