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Purple Carrots Art Fusion Camp – Poetry

Purple Carrots Art Fusion Camp – Poetry
August 13 – August 17 | 9:00am-4:00pm
TEENS AND YOUNG ADULTS
Bring fantastical poetry from traditional and modern texts to life with your voice and movement. Work with texts from Shakespeare, Lewis Carroll and Shel Silverstein. Who will you be? A witch, a centaur, the wind, or a dragon? Soundscape and puppetry will be incorporated into our storytelling. Workshop includes: drama, movement, art, yoga, drumming, cooking, circus skills, and relaxation.

PRICE: $580

*Payment Plans available

Register at: purplecarrotsdrama.com/summer

… move or be moved by some ‘thing’ rather than oneself.

Critical Distance is pleased to present … move or be moved by some thing rather than oneself., an exhibition that considers curating and choreography as materials and subjects. Bringing together the work of Guillaume Adjutor Provost, Adam Basanta, Adrienne Crossman, and Nadège Grebmeier Forget, the exhibition is curated by Florence-Agathe Dubé-Moreau and Maude Johnson. The title, taken from a quote by choreographer Yvonne Rainer, echoes the curators’ desire to question the potentialities of artworks as well as presentation contexts from the position of transdisciplinary instability.

Opening Reception: Saturday, June 23, from 2-4 pm
Exhibition dates: June 23-August 5, 2018
Gallery hours: Wednesday-Sunday, from 12-5 pm

Purple Carrots Art Fusion Camp – The Cat in the Hat: dr. Seuss

Purple Carrots Art Fusion Camp – The Cat in the Hat: dr. Seuss
July 30-August 3 | 9:00am-3:30pm
AGES 6-8
Explore the mischief Sally and Sam get up to when they’re left home alone for a day! Who will you be? Thing One or Thing Two? The Cat, a fish, or a shoe?! Learn about rhyme and let your imagination run free in this fantastical art-fusion camp! “You find magic wherever you look. Sit back and relax. All you need is a book.” Workshop includes: drama, movement, art, yoga, drumming, cooking and relaxation.

PRICE: $580

*Payment Plans available

Register at: purplecarrotsdrama.com/summer

Purple Carrots Art Fusion Camp – Under the big top

Purple Carrots Art Fusion Camp – Under the big top
July 23- July 27 | 9:00am-4:00pm
AGES 9-12
Come one, come all! The Big Top circus is in town! Learn simple circus skills from a professional circus artist and create improvised characters with your friends. Whether you want to be an acrobat, a magician or a clown, this is a place where many spectacular stories are waiting to be created. Workshop includes: drama, movement, art, yoga, drumming, cooking, circus skills, and relaxation.

PRICE: $580

*Payment Plans available

Register at: purplecarrotsdrama.com/summer.

Purple Carrots Art Fusion Camp – SPACE ADVENTURE

Purple Carrots Art Fusion Camp – SPACE ADVENTURE
July 16-20 | 9:00am-3:30pm
AGES 6-8
3…2…1…Blast Off! Where shall we go? Who shall we meet? Be the astronaut of your own space adventure and take your friends on a fun-filled journey to different planets. Let’s build a spaceship together and learn about real planets, or enjoy creating new ones! What will we find in the never-before-discovered planet of Zopfitz? Workshop includes: drama, movement, art, yoga, drumming, cooking and relaxation.

PRICE: $580

*Payment Plans available

Register at: purplecarrotsdrama.com/summer.

Opening Reception – 99

99

April 10 – 28, 2017 | First, Second and Third Floor Hallway Galleries

Hours: Mon-Fri, 8am-8pm

Opening Reception: April 20th, 7-9pm

The artwork produced in the Contemporary Photography program at Etobicoke School of the Arts is dynamic, insightful, courageous, and engaging. Forty-three Grade 12 students have developed their own unique and personal bodies of work exploring a range of themes, including relationships, defining personal space, and re-examining the Garden of Eden. These talented artists use photography in ways that can inspire us all.

Follow them on Instagram @esa_contemporary_photography.

Artists: Ashlyn Abbott, Andrew Alburger, Ben Alexandor, Linda Badgley, Kasia Borkowski, Julia Bradshaw, Jamie Brennan, Gemma Brown, Liam Carley, Ava Cvitkovich, Hannah Da Silva, Dakota Dimson, Grier Drummond, Ruby Evers, Jelena Gajdel, Charlotte Gregg, Emma Guy, Julianna Ham, Mikayla Harrison, Reed Hollett, Sam Holzberg, Catriona Iozzo, Liam Macaloney, Georgia Mackay, Josie Marshall, Max Martin, Michael Mazzei, Eliza McFarlane, Aoife O’Mahony, Krystyna Poremba, Alicia Salvador, Quinn Spurrell, Adrian Stathoukos, Basia Thompson, Gill Thorne, Emma Thomlison, Lianna Turone, Gloria Vytas, Lily Watson, Kennedy Wheller, Jada White, Sean Wilson, Xin Xin

Exhibition: CAREER LAUNCHER 2018

CAREER LAUNCHER 2018

June 26th – July 26th, 2018 | Second Floor Hallway Gallery | Free

Opening Reception: Wednesday, June 27th, 2018 – 6:30pm – 9:00pm

The Centre for Emerging Artists & Designers at OCADU is pleased to present a Photography Exhibition of the recipients of the 2018 Artscape Youngplace Career Launcher. Congratulations to those who have been selected!

This exhibition will be held on the 2nd floor of Artscape Youngplace and presents recent work by the artists:

Patrick Corrigan: patrick-corrigan.format.com

Abigail Holt: abigail-holt.format.com

Michelle Homonylo: michellehomonylo.com

Qirou Yang: kiyoyang.ca

 

Centre For Emerging Artists and Designers

OCAD University

100 McCaul Street Toronto, ON M5T 1W1

careerdevelopment@ocadu.ca

Artist & Curator Talk (Program in French)- José Luis Torres: Question d’adaptation

Artist & Curator Talk- José Luis Torres: Question d’adaptation (Program in French)

Sunday, June 24, 2018 | 2 PM | FREE
In conjunction with his solo exhibition at the Koffler Gallery, José Luis Torres will discuss his artistic practice and the ways in which his work engages notions of displacement, adaptation and identity construction, in a conversation with curator Mona Filip.

José Luis Torres was born in Argentina and has been living and working in Québec since 2003. He has a Bachelor’s Degree in Visual Arts, a Master’s Degree in Sculpture and a degree in Architecture. His work has been showcased in many solo and group exhibitions, as well as public interventions in both Canada and abroad, including Musée national des beaux-arts du Québec (Québec), Human Cities/Places to be (Brussels, Belgium), Museum London (London, ON), The Works Art & Design Festival (Edmonton – Alberta), Manif d’art the Québec City Biennial (Québec), UCCS Gallery of Contemporary Art, (Colorado Springs, USA), Latitude 53 Contemporary Visual Culture (Edmonton, Alberta), X-Border Art Biennial (Rovaniemi, Finland) and CAFKA – Contemporary Art Forum Kitchener and Area (Cambridge, ON), among many others. Torres has also participated in various artist residencies in Canada, Argentina, the United States, Mexico and Europe. More details.

Image: José Luis Torres, Mutations, 2015.

Opening Reception & Curator’s Talk: “…move or be moved by some ‘thing’ rather than oneself.”

Opening Reception & Curator’s Talk at Critical Distance Centre for Curators

… move or be moved by some ‘thing’ rather than oneself.

Guillaume Adjutor Provost, Adam Basanta, Adrienne Crossman, and Nadège Grebmeier Forget

Curated by Florence-Agathe Dubé-Moreau and Maude Johnson

June 23, 2018 2–4 pm | FREE

Critical Distance is pleased to present … move or be moved by some thing rather than oneself., an exhibition that considers curating and choreography as materials and subjects. Bringing together the work of Guillaume Adjutor Provost, Adam Basanta, Adrienne Crossman, and Nadège Grebmeier Forget, the exhibition is curated by Florence-Agathe Dubé-Moreau and Maude Johnson. The title, taken from a quote by choreographer Yvonne Rainer, echoes the curators’ desire to question the potentialities of artworks as well as presentation contexts from the position of transdisciplinary instability.

About the artists

Guillaume Adjutor Provost is a Montréal-based artist. His practice is situated at the borders of visual arts, curating, and literature through hybrid works. He holds a Ph.D. in Arts Studies and Practices from UQAM and is the 2016-18 recipient of the Claudine and Stephen Bronfman Fellowship in Contemporary Art. His solo exhibition have been presented in various venues, such as Centre CLARK (Montréal, 2016), Diagonale (Montréal, 2017), and Bikini (Lyon, 2018).

Adam Basanta is a Montréal-based artist, composer, and performer of experimental music. His sculptures and installations reveal the conceptual and sensory dimensions of sound in the exhibition space by modifying the usual relationship of the visitors to it. His recent projects have been presented in Europe, United States, and Canada. He is long-listed for the 2018 Sobey Art Award.

Adrienne Crossman is based in Windsor. Their approach as an artist and curator questions the normativity of representation and the boundaries of the physical or virtual exhibition environment. They examine the potentialities of a queer sensibility through digital media and popular culture. Their recent projects have been shown in Toronto, Windsor, Carlisle (UK), and Montréal, as well as in The Wrong New Digital Art Biennale.

Nadège Grebmeier Forget is a Montréal-based artist. She employs choreographic and curatorial strategies to complicate access to her performing body in live, video, or installation works. Recent exhibitions and performances have been presented in various venues, such as VU PHOTO (Québec, 2016), She Works Flexible—Flex Space (Houston, 2016), and OPTICA (Montréal, 2017).

About the curators

Florence-Agathe Dubé-Moreau is a Montréal-based writer and curator. MA candidate in Art History at UQAM, her research questions the effects of exhibition reenactment in contemporary art. She was the Assistant Curator for the Canadian Pavilion at the 56th Venice Biennale (2015), co-editor of the book Questionner l’avenir. Réflexions sur la réactualisation de la Biennale de Montréal (2015), and curator of the exhibition do it Montréal at Galerie de l’UQAM (2016).

Maude Johnson is a Montréal-based writer and curator. She holds a MA in Art History from Concordia University. She is interested in the relationship between bodies, times, and spaces. Her research explores performative and curatorial practices, while probing methodologies, mechanisms, and languages within interdisciplinary practices. Her recent projects have been presented in the SIGHTINGS space of the Leonard & Bina Ellen Art Gallery (Montréal, 2016) and at Artexte (Montréal, 2018).

 

image: Nadège Grebmeier Forget, Rendering on View (Betty Rowland meets Angela Aames)2017. Performed on May 27, 2017, as part of the installation Walls of Wind: The mirroring and rendering which was created in the context of the group exhibition I’ve Only Known My Own curated by Nicole Burisch and presented from April 21 to June 10, 2017, at OPTICA, Montréal. Photo by Paul Litherland.

Opening Reception- José Luis Torres: Question d’adaptation

Summer Opening Reception for José Luis Torres: Question d’adaptation

Thursday, June 21, 2018 | 6–9 PM | FREE

Koffler Gallery presents José Luis Torres: Question d’adaptation, curated by Mona Filip. Join us for the FREE summer opening reception on Thursday, June 21, 2018 from 6-9pm.

Argentinian-born, Québec-based artist José Luis Torres works with sculpture, installation and public intervention, appropriating spaces and hijacking meaning through simple actions that subvert everyday materials and the conventions of handicraft. Influenced by his experience of displacement, Torres’ creative explorations focus on space and place, generating whimsical artworks where spontaneity and accumulation recur in connection to ideas of economy, survival, labour and the ready-made.

At the Koffler Gallery’s invitation, Torres creates a site-specific sculptural installation focused on three notions central to the experience of migration: camouflage, reflection and construction. Attempting to blend into the new cultural milieu and to mirror social conventions is a familiar process to newcomers. As assimilation indelibly affects one’s sense of identity, layers of individuality risk being chipped away to near invisibility, or reconfigured and rebuilt into ever more complex self-expression.

Metaphorically exploring the adaptation strategies and fluid reinvention of immigrant identity, Torres transforms the exhibition space through material interventions, building an immersive setting that disrupts visitors’ expectations. The installation unfolds as an all-encompassing, seemingly endless construction that reflects the state of precariousness and perpetual change intrinsic to the immigrant condition. Cultivating the ways in which coexisting, unplanned elements can modify each other to generate constantly evolving environments, Torres’ work enables us to re-examine how we inhabit and adjust to our surroundings.

Image: José Luis Torres, Mutations, 2015.