With over 9,350 square feet of space, the Hallway Galleries occupy the hallways and stairwells of Artscape Youngplace, on (and between) three floors of this beautiful 100-year-old building. Open seven days a week with free admission. Rent the Hallway Galleries for art exhibitions.
Myseum: Intersections Festival
Hours: Monday – Sunday 8am – 9pm | Opening Reception: Friday March 16 | 4pm
Transitions in Progress: Dis/Placing Migrations is an open-ended experiment in affective mapping of the city’s memories of displacement, settlement and migration, gathered through a participatory approach in which everyday objects, organisms and sounds become the occasion for storytelling and remembering.
The Koffler Centre of the Arts, in collaboration with Holland Bloorview Kids Rehabilitation Hospital
Hours: Monday – Sunday 8am – 9pm | Closing Reception: Saturday March 17 | 3-5pm
The Koffler Centre of the Arts, in collaboration with Holland Bloorview Kids Rehabilitation Hospital – Canada’s largest children’s rehabilitation hospital dedicated to improving the lives of kids with disabilities – engaged in an arts-based public program alongside selected Youth Leaders to examine issues of identity, resilience and diversity of voice.
Inspired by the Koffler Gallery’s winter exhibition, Nicole Collins: Furthest Boundless, nine participants (ages 18-26) created individual and collaborative projects that explored their transition from pediatric care to the adult health care system. Similar to how Collins examines both frailty and resilience in her work, the Youth Leaders were encouraged to respond to the many challenges and opportunities that lay ahead in the next stage of adulthood. For everyone, age 18 played an important role in their journey.
Over a four week workshop process, participants shared studio space alongside local artists/facilitators (Nicole Collins, Jeff Dywelska, Mariah Hamilton and Kate Welsh) to articulate their personal narratives and experiences through a collaborative creation process, using various media such as paint, sculpture, photography and text. Each week Youth Leaders contributed to the collective exhibition through collaborative-based art practices, which in turn, created an inclusive and dynamic space for dialogue and (re)interpretation.
presented by the 6ix Clicks as part of Myseum of Toronto’s “Intersections Festival Arrivals+Departures”
Hours: Monday – Sunday 8am – 9pm | Opening Reception: Wednesday March 7 | 6-9pm
Through photography and interviews, this project documents Toronto’s diverse community of elder citizens. Utilizing Arrivals and Departures as a metaphor for changing life-events it explores the paths leading to their arrival in Toronto, the milestones that shaped their lives, their unique insights, and the opportunities and challenges associated with aging.
Hours: Tuesday to Friday 12 PM – 6 PM, Saturday & Sunday 11 AM – 5 PM, Closed Mondays & Statutory Holidays
Winter Opening Reception: Thursday, January 18, 2018 | 6–9 PM | FREE
In a major, new mixed media installation complemented by a series of recent paintings, Toronto artist Nicole Collins delves into the emotional territory of loss as she explores the human struggle between grief and acceptance, gravity and grace.
Developed for the Koffler Gallery, Furthest Boundless is inspired by two concepts of Ancient Greek philosophy: Aphelion – the point on the orbit of a celestial body that is furthest from the sun – and Apeiron – the boundless, the origin for all that is. At the centre of the installation, a monumental deconstructed painting built out of woven and knotted nets of materials, pigments and wax faces a delicate video that responds with ephemeral movement and gesture to its static presence. The immersive environment is completed by an atmospheric sound piece based on traditional shape-note singing.
Driven by an impulse to repair, Collins’ visceral paintings attempt to suture, layer and preserve the damaged. This new work further strives to dismantle and reconfigure the painted surface, pushing against the physical limits of materials lifted from stretchers and sculpturally re-envisioned. Engaging the potent vocabulary of the colour black, Collins evokes the accumulation of all colours, the darkest shadows, the burnt remains, the fertile soil, creating poignant works that consider both frailty and resilience. Holes, rips and indentations in the fabrics create permeable layers that disperse yet hold together the whole, materializing absences.
Through painting, video and sound, Furthest Boundless articulates a personal response to a universal experience, reflecting a collective search for meaning in loss.
Nicole Collins has exhibited extensively since 1994, including solo exhibitions at The University of Waterloo Art Gallery (2013), The Art Gallery of Ontario (2013) and The Embassy of Canada in Tokyo (2001) and group exhibitions in Toronto, Hamilton, St. Johns, New York, Miami, London and Zurich. Her work has been featured online and in magazines, newspapers and books including the major survey Abstract Painting in Canada (Roald Nasgaard), the 3rd edition of A Concise History of Canadian Painting (Dennis Reid), Carte Blanche, Volume 2: Painting, and The Donovan Collection Catalogue. Collins is an Assistant Professor in the Drawing & Painting program at the Ontario College of Art & Design University (OCADU) and she lives in Toronto with her husband artist Michael Davidson and their daughter. Collins’ work is represented by General Hardware Contemporary in Toronto.
Curated by Letticia Cosbert
Hours: Monday – Sunday 8am – 9pm | Opening Reception: Tuesday January 16 | 6-9pm
L’esprit de l’escalier is a new audio installation by CCC, located in the North and South stairwells of Artscape Youngplace.
The work uses the premise of a stairwell moment to examine the relationship between ideas of death, sleep, loss and preservation—all the words you wish you’d said and all the thoughts you wish you’d documented. Based on six short essays written, recorded and produced by CCC and voiced by Abigail Whitney and Stella Isaac, the audio piece reworks these texts into a discordant array of thoughts that roam from one topic to the next, attempting to regain their focus.
L’esprit de l’escalier was commissioned by Koffler.Digital and developed in conjunction with Nicole Collins: Furthest Boundless, also opening January 18, 6-9 PM at the Koffler Gallery.
Featuring Quratulain Butt, Khaled Hourani, Maha Maamoun, Smriti Mehra, Huma Mulji, Ed Panar, Alex Sheriff, and Andrea Luka Zimmerman
Curated by Toleen Touq and Nahed Mansour
Hours: Thursday–Sunday from 12–5 pm | Opening Reception: Thursday, January 25th | 6–9 pm
In partnership with South Asian Visual Arts Centre (SAVAC), Critical Distance is pleased to present We Look At Animals Because, an exhibition that gazes on animality. Through the lens of spectatorship, the show explores the shifting ways in which animals are regarded, represented and accorded meaning in post-industrial landscapes. Exhibiting photographs, video, works on paper, and sculpture, the featured artists reveal the nuanced, complicated and unexpected paradoxes that mark our relationships with cosmopolitan animals.
CRITICAL DISTANCE (CDCC)
Suite 302 at Artscape Youngplace | 180 Shaw Street | Toronto | Ontario | M6J 2W5
Critical Distance is a not-for-profit initiative and space devoted to the support and advancement of curatorial practice in Toronto, Canada, and beyond. Part gallery and publisher, part professional association and community, CDCC is an open platform for diverse curatorial practices and perspectives, and a forum for ideas on curating and exhibition-making as ways to engage and inform audiences from all walks of life. For more info, visit our website or social media pages, linked above.
image: Sarah Nasby, Living Things (Dorothy Hafner vessel, kombucha, lines pattern), 2017
In partnership with South Asian Visual Arts Centre (SAVAC), Critical Distance is pleased to present the Winter 2018 Billboard on Shaw, featuring work by Quratulain Butt curated by Toleen Touq and Nahed Mansour as part of the exhibition We Look At Animals Because.
Growing up with roosters as pets, this motif appears frequently in Butt’s paintings. Originally created using delicate watercolor strokes in the Gadrang (opaque) miniature painting technique, the artist presents figures of brawling roosters as stand-ins for human conflict. Butt also draws, perhaps comically, on the pressures of conformity that come with family and tradition. For this exhibition, an enlarged and digitized version of the original Ego painting was commissioned from the artist for the eight-foot square billboard structure.
Quratulain Butt was born in Rawalpindi, Pakistan, and trained as a miniature painter and sculptor at the National College of the Arts in Lahore, and the Hunerkada Academy of Visual and Performing Arts Islamabad. Quratulain’s work shares concerns with social hierarchy, war conflict, hypocrisy and hope. Since 2013 she has been based in Canada.
In addition to this work by Quratulain Butt, We Look At Animals Because features photographs, works on paper, sculpture, and videos by Khaled Hourani, Maha Maamoun, Huma Mulji, Ed Panar, Alex Sheriff, and Andrea Luka Zimmerman, on view in the CDCC gallery (Suite 302 on the 3rd floor of Artscape Youngplace) and other locations within the building through March 25, 2018.
Gallery hours are Thursday–Sunday 12–5 pm and by appointment. Admission is always free, and both gallery and building are fully accessible. Visit/follow us at criticaldistance.ca, savac.net, or our respective Facebook and Instagram pages for more info and announcements of upcoming exhibition-related events.
Critical Distance and South Asian Visual Arts Centre are grateful for the support of the Toronto Arts Council in making this exhibition possible.